Posted In: The real animal house : the awesomely depraved saga of the fraternity that inspired the movie by Chris Miller ( Book ) 6 editions published . Review: Do you have a website yet? To boot, the movie made exponential box office returns on its $3 million budget, cementing it as one of the most lucrative comedies of all time. Showing all 6 items Jump to: Photos (6) Photos . 2 short stories from National Lampoon magazine that involve AR. Grodnik and Matheson sold the company in 1990. The dedication to The Real Animal House reads "To family, wherever you find it." [13] The 1974 monthly average was 830,000, which was also a peak. Many of these were unrelated projects because, by that time, the name "National Lampoon" could simply be licensed on a one-time basis, by any company, for a fee. That concept was a crucial figment of the early National Lampoon Magazine, according to a The New York Times article concerning the early years of the Magazine and co-founder Douglas Kenney's brand of comedy as a "liberating response to a rigid and hypocritical culture.". Buy National Lampoon's Animal House by Chris Miller online at Alibris. In a parody of "Black Like Me," a man decides that the only way to fully understand the women's liberation movement is to become a woman. Some fans consider the glory days of National Lampoon to have ended in 1975,[14] although the magazine remained popular and profitable long after that point. In addition toAnimal House,Miller has written screenplays forClub Paradise(1986) andMultiplicity(1996), directed by Harold Ramis. 1978 NATIONAL LAMPOONS ANIMAL HOUSE Chris Miller Color Illustrated Novel RF. Finally Lampoons art director Michael Gross had the idea of standing off-camera behind the dogs trainer (who was holding the gun) and shouting the dogs name. What a shocking fall for Lampoons shock humor. An article from The Atlantic Monthly describes how Animal House captures the struggle between "elitist {fraternity} who willingly aligned itself with the establishment, and the kind full of kooks who refused to be tamed." Chris Miller the author of the book ,cowrote the screenplay for the movie with Harold Ramis. He received a Masters Degree from Dartmouth's Tuck School of Business, just to be on the safe side. Kenney edited the magazine and wrote much of its early material. The Funny Pages logo header art, which was positioned above Gahan Wilson's "Nuts" in each issue, and showed a comfortable, old-fashioned family reading newspaper-sized funny papers, was drawn by Mike Kaluta. He fired the entire editorial staff, and appointed his two sons, Michael Simmons and Andy Simmons, as editors, Peter Kleinman as creative director and editor, and Larry "Ratso" Sloman as executive editor. The sixth issue from September 1970, entitled "Show Biz," got the company in hot water with The Walt Disney Company after a lawsuit was threatened because of the issue's cover, which showed a drawing of Minnie Mouse topless, wearing pasties. . But Kenney also raced through the Hollywood Hills late at night, some say, with his headlights off. Even in the salad days of magazine publishing, there wasnt a lot of lettuce on the plate. Graphic Novels, Books. Some issues were guest-edited. He got into a fist-fight with a producer, misplaced six-figure royalty checks and threw pool parties with bizarrely eclectic crowds. comics and science fiction, Miller attended his father's alma mater, Dartmouth, entering in the fall of 1959. [3] The company that owned the magazine was called Twenty First Century Communications. "The National Lampoon," Carney wrote, "was the first full-blown appearance of non-Jewish humor in yearsnot anti-Semitic, just non-Jewish. To judge by the obvious, pitiful, frenetic, stupid raunchiness of its trailer, it belongs to the genre known as post-humoristic.. Now, its a totally different world. was finished and very, very good. Something new is happening this fall.". Review: How did you come to write about your experiences with your fraternity? Starring John Belushi and written by Doug Kenney, Harold Ramis and Chris Miller, Animal House became one of the highest grossing comedy films of all time. Did that influence you? National Lampoon's Animal House (1978) Chris Miller as Hardbar. This is a low grade item. [clarification needed] As co-founder Henry Beard described the experience years later: "There was this big door that said, 'Thou shalt not.' Once, there was If You Dont Buy This Magazine Well Kill This Dog the January 1973 cover line by actor, comedian and erstwhile National Lampoon contributing editor Ed Bluestone. May be able to get these as back issues (Ebay etc) From Mark's Very Large NL Site: 202. He went on to write, produce and perform in the influential comedies Animal House and Caddyshack before his sudden death at the age of 33. My friend said, "They're looking for stories to put in between the pictures." It was written by whoever was the editor of that particular issue, since that role rotated among the staff, but Kenney had been the main writer of them for the first few issues. Miller graduated from Dartmouth in 1963. From left: Anthony Michael Hall, Chase, Beverly DAngelo and Dana Barron, the original Griswolds from 1983s National Lampoons Vacation, based on a Hughes magazine story from 1979. Miller: At first I wasn't really aware of any reaction except that Doug Kenney liked my work, as did my friends. Johnson went on to The New York Times. Wrote copy and produced commercials at Dancer-Fitzgerald- Sample advertising during the second half of the sixties--used to do the Cuckoo for Cocoa Puffs spots, among many others. Review: How did you begin selling your stories? Some of the snits were a century old. Urban Legends The Ghost of Anna Rhodes & the Haunting of Dice Road Cemetery, An Exclusive Interview with: DAVID ALLAN COE, Will the Real Bill Schuette Please Stand Up, Community Update: The Saginaw Art Museum Poised to Enter a New Era. The film was of great cultural significance to its time, as The New York Times describes the magazine's 1970s period as "Hedonism {} in full sway and political correctness in its infancy." Succeeding pledge classes would hear about it and we were encouraged to be creative. Miller: Two questions people want to know: Was there any stuff that was so awful you didn't include it in the book? John Christian Miller was born in Brooklyn New York in 1942. Life: One thing led to another and, before we knew it, we were dead., Michael ODonoghue,The National LampoonEncyclopedia of Humor,1973. National Lampoon was an American humor magazine that ran from 1970 to 1998. But the words National Lampoon are never mentioned in the trailer. Released in 1983, the movie National Lampoon's Vacation was based upon John Hughes's National Lampoon story "Vacation '58". "Caked Joy Rag" and I sent three stories around and that's how I met former Playboy editor David Standish. Belushi (center) in 1978s Animal House, scripted by Ramis, Doug Kenney and Chris Miller. National Lampoon magazine reached its height of popularity and critical acclaim during the 1970s, when it had a far-reaching effect on American humor and comedy. National Lampoon's Class Reunion was not successful, however. It was my first visit to alternate realities. We've received your submission. In 1974 a youthful P.J. Publisher National Lampoon. In 1980, a paperback compilation book, National Lampoon Foto Funnies which appeared as a part of National Lampoon Comics, was published. Review: Any other titles you considered? The first three subsequently went on to become part of Saturday Night Live's original wave of Not Ready for Primetime Players, Bill Murray replaced Chase when Chase left SNL after the first season, and Brian Doyle Murray later appeared as an SNL regular. I thought, "Yeah, he's in my tribe." About the same time, writers Michael O'Donoghue and Anne Beatts left to join the NBC comedy show Saturday Night Live (SNL). Portnoy's Complaint. The second, and by far the most successful film, was National Lampoon's Animal House (1978). Based on the beloved top-grossing comedy of all time, Animal House takes you from Rush Week to the Homecoming Parade, with Bluto, Otter, and the entire cast of characters for "indivi .more. And since I just discovered that the entire run of National Lampoon Magazine from 1974 to 2007 is available for your free perusal or downloading pleasure on the (also flipping brilliant) Internet Archive, I am NOT going psst psst and pointing you in the direction of Chris Miller's deeply and wonderfully offensive A Thanksgiving Memory. According to A Futile and Stupid Gesture, the biopic premiering Friday on Netflix, a note found inside Kenneys Kauai hotel room said, These are some of the happiest days Ive ever ignored., Harold Ramis, a screenwriting partner of Kenneys on 1978s Animal House, dryly commented, Doug probably fell while he was looking for a place to jump.. During his Lampoon tenure, Kleinman was also the art director of Heavy Metal magazine, published by the same company. It should however be noted that the publishing industry's newsstand sales were excellent for many other titles during that time: there were sales peaks for Mad (more than 2 million), Playboy (more than 7 million), and TV Guide (more than 19 million). The Cleanup By John Skipp and Craig Spector. But I was leading a 1971 counter cultural lifestyle at the time and was spending most of my time with a close group of friends that became my new family. Now after decades toiling in the screen trade, Miller has returned to his first love, writing stories that are hilariously autobiographical, sick, revolting, revolutionary, and as hot & steamy as a five-minute French kiss in a beer soaked basement. But when the story was being shopped around, screenwriters Douglas Kenney, Chris Miller and Harold Ramis had as much trouble getting a bite from the Tinseltown establishment as a pledge looking for a Friday night date. Chris Miller ( National Lampoon writer; Animal House cowriter): Some people thought National Lampoon was a counterculture magazine. If You Don't Buy This Book, We'll Kill This Dog! After a shaky start for a few issues, the magazine rapidly grew in popularity. It was a critical and commercial failure. His stories were often as explicitly sexual as they were funnyand they were extremely funny. Didnt everyone think it was terrible? Kenney asked. When I didn't remember whether the shutters on my dorm were green or white I looked it up on the Internet. I was editor-in-chief of National Lampoon from 1978 through 1980, when the magazine began sinking. A former ad man, he now lives in Venice, California. We touched it, and it fell off its hinges." Culture, Review: You had a motto parodying Orwell's 1984 This was not Jewish street-smart humor as a defense mechanism; this was slash-and-burn stuff that alternated in pitch but moved very much on the offensive. During 1975, the three founders (Kenney, Beard, and Hoffman) took advantage of a buyout clause in their contracts for $7.5 million (although Kenney remained on the magazine's masthead as a senior editor until about 1976). Drinking is Strength. At first he studied business at the urging of his father, but later majored in English. The magazine started out as a spinoff from the Harvard Lampoon. . The movie declares itself to be a remake of National Lampoons Vacation, the 1983 classic of obvious, pitiful, frenetic, stupid innocence. Kenneys final trip to Hawaii, with pal Chevy Chase in tow, was designed as a detox. Miller: Around the time of Animal House there was a flurry of being in touch with everyone. It was a while before he appeared in the magazine again. If you see a pattern, its called money. $13.99. Next: 26. "Night of the Seven Fires" and there were still guys in my fraternity who used the initials SIHBITDIS as a secret word and I got all kinds of crap from later classes. A pioneer of the boundary-pushing sex comedy, the 1978 film from director John Landis, producer Ivan Reitman, and writers Douglas Kenney, Chris Miller, and Harold Ramis planted the seeds for. Anybody know where I might find it? On December 29, 1988, producer Daniel Grodnik and actor Tim Matheson (who played "Otter" in the 1978 film National Lampoon's Animal House) filed with the SEC that their production company, Grodnick/Matheson Co., had acquired voting control of 21.3 percent of National Lampoon Inc. stock and wanted to gain management control. A former copywriter for an ad agency, Chris Miller earned recognition in the 1970s as a short-story writer for National Lampoon. There are those who say that National Lampoon changed the face of American humor. It certainly put some wrinkles on mine. Please check your spam folder, or Click here to re-send. One ofNatLamps most popular contributors, Chris Miller, was a bright ex-advertising copywriter and had also been a contributor to Al GoldsteinsScrewmagazine before writing for theLampoon. House Rules: Chris Miller takes us back to the Real Animal House. Then I got into E.C. Which issue was that in? He left four years later to pursue a career in corporate marketing. Mechanical representations of biological functions being one of the root sources of mirth according to Laughter, an Essay on the Meaning of the Comic by 19th century French philosopher Henri Bergson.. 2023 Review Magazine. Fast. But as the deadline approached, he was blocked. "True Facts" was a section near the front of the magazine which contained true but ridiculous items from real life. No, they shouldn't have been drinking and driving and no, they probably didn't have seat belts on. The Harvard Lampoon was established in 1876 and became a long-standing tradition of the campus, influencing the later National Lampoon Brand in its evolution from illustration-heavy publications to satirical wit, ranging from short fiction to comic strips. It was especially anarchic, satirically attacking what was considered holy and sacred. I thought, Holy Christ, this guy has gone over the top, Miller told Karp. He showed up high at a press conference, ranted at journalists and railed against his own film. But we were. The house has deteriorated. O'Rourke, along with artists and writers such as Gerry Sussman, Ellis Weiner, Tony Hendra, Ted Mann, Peter Kleinman, Chris Cluess, Stu Kreisman, John Weidman, Jeff Greenfield, Bruce McCall, and Rick Meyerowitz. He was not actively looking to kill himself. The Robert Altman film O.C. It's not everyone's cup of absinthe. Its national circulation peaked at 1,000,096 copies sold of the October 1974 "Pubescence" issue. Pinto Speaks: Review Interview with Chris Miller Phillip Roth of course. This story first appeared in the July 31 issue of The Hollywood Reporter magazine. Review: But you still continued writing for the Lampoon magazine from time to time. He checked it to make sure it had enough sex and then I got a deal to write a dozen stories in a row for publication in a place where it didn't matter, without combat consequences. Review: How did you come to be involved with the movie script that Doug and Harold Ramis were working on? National Lampoon's Animal House Was Offered To Some Of Hollywood's Finest Directors. Sex, Drugs, Rock 'N' Roll & the End of the World, https://en.wikipedia.org/w/index.php?title=National_Lampoon_(magazine)&oldid=1133631483, Satirical magazines published in the United States, Defunct magazines published in the United States, Short description is different from Wikidata, Articles needing additional references from March 2012, All articles needing additional references, Wikipedia articles with style issues from October 2020, Articles with multiple maintenance issues, All Wikipedia articles written in American English, Wikipedia articles needing clarification from October 2022, Articles needing additional references from February 2009, Creative Commons Attribution-ShareAlike License 3.0, NL Communications, Inc (owned by Harvard University), A replica of the starving child from the cover of, This page was last edited on 14 January 2023, at 19:46. . Once complete, If youre thinking chalk and cheese, you like to eat chalk better than John did. 2023 The Hollywood Reporter, LLC. Though he had indulged in pot, acid and cocaine while in Manhatan, in LA his drug use. The Real Animal House: The Awesomely Depraved Saga ofthe Fraternity That Inspired the Movie The latter was inspired by Miller's own experiences in the Alpha Delta Phi fraternity at Dartmouth College, in which he went by the name "Pinto". Plus having a bunch of humorists in one place is like having a bunch of cats in a sack. Review: Have you been back to Dartmouth since you visited it in the early 90's to write an article for Playboy? Your account is unverified. A: That appeared in the October '74 (Pubescence) issue. This was in the days before Photoshop, and the cover shoot wasnt going well. And I was the only staffer who admitted voting for Gerald Ford. But the joy and exuberance that Pinto and his pals demonstrate holds a lesson for every generation that needs to learn not to blindly follow the expectations of parents and guidance counselors, but to seek out those blissful bands of merry misfits that appear from time to time. Bramley created the Lampoon's first cover and induced successful cartoonists Arnold Roth and Gahan Wilson to become regular contributors. He went on to become the first head writer for Saturday Night Live. It was also during this time that National Lampoon: Lemmings stage show and The National Lampoon Radio Hour show was broadcast, bringing interest and acclaim to the National Lampoon brand with magazine talent like writer Michael O'Donoghue who would go on to write for Saturday Night Live. to the Golden Age of National Lampoon (1970-1975) Its writers joyfully targeted every kind of phoniness, and had no specific political stance, even though individual staff members had strong political views. The latter was inspired by Miller's own experiences in the Alpha. O'Rourke was looking for articles for the "Pubescence" issue of National Lampoon he was editing and asked Contributing Editor Chris Miller for some of his famously hilarious perversity. Some soiling and wear. The magazine regularly reprinted material in "best-of" omnibus collections. "Chris Miller got to Dartmouth in 1959, joined the Alpha Delta Phi fraternity and I guess we could say that the rest is apocryphal," writes Harold Ramis , in his forward to The Real Animal House", Miller's recently published "mostly lucid memoir of the awesomely depraved saga of the fraternity that inspired the movie". Jerry Garcia of the Grateful Dead used to say that the Dead were like licorice. Please verify your account by clicking on the activation Cannot find the email? Whenever they got in a pickle, they'd pull out the handbook and every answer would be there. Supposedly, the magazine got in trouble with Miller when it printed his draft before he was finished with the piece. It was having that special relationship with people that you drop acid with. The first theatrical release, and by far the most successful National Lampoon film was National Lampoon's Animal House (1978). This is a shame and a disservice to discriminating readers. His solos were liquid and clean and graceful and soaring and when I was hitting it and in the groove, that's how I felt. From Issue 626 This is doubtless a relief to those two good souls in Funny Heaven: John Hughes, who wrote the script for the original, and Harold Ramis, who directed it. and Irish Catholic, with a weird strain of Canadian detachment. My hands were slick to the wrists, I was tired but elated. But something inside him may have said, Lets keep going. And he did., Drug use raged on the set of Kenneys second movie, which he co-wrote with Ramis (who also directed) and Brian Doyle-Murray , the 1980 Bill Murray classic Caddyshack. Karp believes the film had a cocaine budget: Somebody told me they brought in more than 80 grams per week.. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Thanks for contacting us. Thomas Carney, writing in New Times, traced the history and style of the National Lampoon and the impact it had on comedy's new wave. Review: Who were some writers who influenced you? He nearly fell asleep at a meeting, recalled Animal House co-writer Chris Miller, only to rouse himself by snorting a line of coke that was half-an-arm long. Miller also appeared frequently in Foto Funnies, the one-page gags which gave theNatLampstaffers a chance to be seen by the readers. I like the lack of sentimentality. Subscribe for full access to The Hollywood Reporter. The work of many important cartoonists, photographers, and illustrators appeared in the magazine's pages, including Neal Adams, Gahan Wilson, Robert Grossman, Michael Sullivan, Ron Barrett, Peter Bramley, Vaughn Bode, Bruce McCall, Rick Meyerowitz, Warren Sattler, M. K. Brown, Shary Flenniken, Bobby London, Edward Gorey, Jeff Jones, Joe Orlando, Arnold Roth, Rich Grote, Ed Subitzky, Mara McAfee, Sam Gross, Charles Rodrigues, Buddy Hickerson, B. K. Taylor, Birney Lettick, Frank Frazetta, Boris Vallejo, Marvin Mattelson, Stan Mack, Chris Callis, John E. Barrett, Raymond Kursar, Andy Lackow, and David C.K. He was 33 years old. In both cases, National Lampoon humor often pushed far beyond the boundaries of what was generally considered appropriate and acceptable. One of NatLamp 's most popular contributors, Chris Miller, was a bright ex-advertising copywriter and had also been a contributor to Al Goldstein's Screw magazine before writing for the Lampoon. As some of the original creators departed, the magazine remained popular and profitable as it had the emergence of John Hughes and editor-in-chief P.J. Douglas Clark Francis Kenney (December 10, 1946 - August 27, 1980) was an American comedy writer of magazine, novels, radio, TV and film who co-founded the magazine National Lampoon in 1970. and Stiggs (1987) was based on two characters who had been featured in several written pieces in National Lampoon magazine, including an issue-long story from October 1982 entitled "The Utterly Monstrous, Mind-Roasting Summer of O.C. . [1] Many of the older albums that were originally on vinyl have been re-issued as CDs and a number of tracks from certain albums are available as MP3s. National Lampoon's Animal House by Chris Miller: Very good Softbound (1978) First Edition. Not surprisingly, those featuring Miller usually showed him in bed with a woman. There was drama on the radio and TV. Hughes started a spectacular career writing for the Lampoon. Miller: Well, the conceit of the book is that the guys who came back from Korea on the GI Bill around 1953 were different. At one point, both Ramis and producer Reitman had ambitions to direct the movie, but neither Ramis' "Lemmings" stage show writing nor Reitman's production credit on David Cronenberg's "Shivers" could overshadow the rsum of John Landis, whose prior effort, "The Kentucky Fried Movie," wrangled staples and veterans of both the Groundlings and Second City comedy troupes to craft gut-busting send-up sketches of American culture like "Scot Free," a fictional board game based on JFK assassination conspiracy theories. In 1984, Kleinman returned as creative director and went back to the 1970s logo and style, bringing back many of the artists and writers from the magazine's heyday. L. Frank Baum. In comes the Class of '55. Comedy stars John Belushi, Chevy Chase, Gilda Radner, Bill Murray, Brian Doyle Murray, Harold Ramis, and Richard Belzer first gained national attention for their performances in the National Lampoon's stage show and radio show. There were 24 houses on campus and as a freshman I was very into networking. "Animal House" (or its alleged early title "Laser Orgy Girls") is a strange and wild beast; at one point according to John Landis a pre-"Ghostbusters" Harold Ramis and Harvard's "National Lampoon Magazine" founder Douglas Kenney penned a version of the movie that follows infamous cult leader Charles Manson through the high school experience. He is best known for his work on National Lampoon magazine and the film Animal House, which he also acted in with co-writer/actor Douglas Kenney. See also my interview with Chris from 2006. In 2001, the United States Library of Congress considered the film "culturally significant" and preserved it in the National Film Registry. The first of the National Lampoon movies was a not-very-successful made-for-TV movie: In 1978, National Lampoon's Animal House was released. Kleinman designed the logos for Animal House and Heavy Metal. From then on, Kenney became increasingly unpredictable. Miller: Three stories that appeared in the Lampoon were originally chapters for a book I wanted to write. 2 reviews. The Real Animal House (336 pages, Little Brown) is Miller's chance to finally set the record straight about the band of brothers who transformed his life forever back in the relatively carefree days before Lee Harvey Oswald climbed the steps of the book depository and Vietnam became the bloodiest series on television in living color. Although two of Animal House's co-writers were the Lampoon's Doug Kenney and Chris Miller, Up The Academy was strictly a licensing maneuver, with no creative input from Mad's staff or contributors. Several "True Facts" compilation books were published during the 1980s and early 90s, and several all-True-Facts issues of the magazine were published during the 1980s. Chris Miller was an Alpha Delta Phi at Dartmouth 1959-1963, most of Animal House is based on his time at Dartmouth, this book might be considered the uncensored version of the movie, not exactly the same- more graphic, funnier more personal. I think it was subconscious suicide, he says. National Lampoon's most successful sales period was 197375. Miller: Doug said "What would you think if we did a movie with fraternities." In 1981 and for many subsequent years John Bendel was in charge of the "True Facts" section of the magazine. His stories were often as explicitly sexual as they were funny-and they were extremely funny. Was that the story where the grandmothers tit fell into the gravy boat and every one at the table ended up having sex with each other? A lot of the comics were Huey, Dewey and Louie. The Oz books lit up my life. There was never a National Lampoon convention. Its roots were W.A.S.P. His more bizarre stories often entered the realm of science fiction of the Twilight Zone variety. The 50th anniversary of the magazine took place in 2020 and, to celebrate, the magazine was issued digitally for the first time by Solaris Entertainment Studio.[2]. Brian Doyle Murray has had roles in dozens of films, and Belzer is an Emmy Award-winning TV actor. He writes, Briefly curtailing their intake somewhat, they soon sent to the mainland for cocaine, which arrived, according to various sources, in the center of tennis balls and other packages. Chase returned to LA, while Kenney stayed on, presumably to scout locations for would-be film projects, before he went over the edge. . Miller graduated from Dartmouth in 1963. Miller: Lampoon publisher and Animal House producer Matty Simmons would call and ask for a story and I'd say "sure, okay" and I would squeeze out the occasional piece. In a 2018 oral history of the movie, Landis tells the NY Times how many rejections the story pitch racked up: "They offered it to John Schlesinger ["Midnight Cowboy"], Alan J. Pakula ["All the President's Men"], Mike Nichols ["The Graduate"], George Roy Hill ["The Sting"] the most unlikely directors and they all threw it back. Most issues of the magazine featured one or more "Foto Funny" or fumetti, comic strips that use photographs instead of drawings as illustrations. The party and the road trip is where we really got it right. It was always disrespect everything, mostly yourself, a sort of reverse deism.". I had the Squaresville job of making the magazine show a profit. I thought, " I can do that too." They rose above. Review: What did your fraternity brothers think of the movie? Produced on a low budget, it was so enormously profitable that, from that point on for the next two decades, the name "National Lampoon" applied to the title of a movie was considered to be a valuable selling point in and of itself. The best known of Kleinman's Lampoon covers were "Stevie Wonder with 3-D Glasses" painted by Sol Korby,[10] a photographed "Nose to The Grindstone" cover depicting a man's face being pressed against a spinning grinder wheel for the Work issue, the "JFK's First 6000 Days" issue featuring a portrait of an old John F. Kennedy, the "Fat Elvis" cover which appeared a year before Elvis Presley died, and many of the Mara McAfee covers done in a classic Norman Rockwell style. Carney wrote, `` was the first of the `` True Facts '' was a section near the of. Miller attended his father, but later majored in English a freshman I was the first full-blown appearance non-Jewish... 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